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Hay demonstrates how this systemby engaging the actual and metaphorical potential of surfaceguided the production and use of decorative arts from the late sixteenth century through the middle of the nineteenth, a period of explosive growth. He shows how the understanding of decorative arts made a fundamental contribution to the sensory education of China’s early modern urban population. Enriching his study with 280 color plates, he ultimately offers an elegant meditation, not only on Ming and Qing art but on the importance of the erotic in the form and function of decorations of all eras.
(ARLIS)
“A very intelligent book, and each of the author’s main points is fleshed out in complex detail. Hay is to be commended for restoring the decorative arts to a central place within the theoretical discourse of art history.”
(Orientations)
“Jonathan Hay’s Sensuous Surfaces, focusing on portable interior decorative objects of the Ming and Qing periods, circa 1570–1840, examines the fascinating yet little-explored sensuous surfaces of what the Qing taste-maker Li Yu called wanhao zhi wu or ‘pleasurable things.’" (Oxford Art Journal)

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Sensuous Surfaces: The Decorative Object in Early Modern China
In Sensuous Surfaces: The Decorative Object in Early Modern China, ... Hay divides Sensuous Surfaces into three interrelated parts. In part 1, ...
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Sensuous surfaces : the decorative object in early modern China. Responsibility Jonathan Hay. Language English. Imprint London : Reaktion Books, 2010. Physical ...
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